Kieran's Pretentious Crap

Sunday, 16 June 2013

500 Favourite Films

1. Red Shoes

2. Seven Samurai

3. Apocalypse Now

4. The Apartment

5. Once Upon a Time in America

6. Lives of Others

7. Come and See

8. Chinatown

9. Brief Encounter

10. Taxi Driver

11. Third Man

12. Blade Runner

13. Raging Bull

14. Lord of the Rings

15. Rear Window

16. Big Lebowski

17. Jaws

18. La Regle du Jeu

19. Alien

20. Ikiru

21. Mean Streets

22. Andrei Rublev

23. 12 Angry Men

24. Once Upon a Time in the West

25. Y Tu Mama Tambien

26. Princess Bride

27. Se7en

28. Naked

29. Mulholland Drive

30. Goodfellas

31. There Will be Blood

32. Duck Soup

33. Aliens

34. Miller’s Crossing

35. City Lights

36. Godfather Parts 1 and 2

37. Local Hero

38. Thin Red Line

39. Manhattan

40. Shining

41. Rebecca

42. Ferris Bueller’s Day Off

43. A Clockwork Orange

44. Psycho

45. Double Indemnity

46. Lost in Translation

47. Ran

48. Good, Bad and Ugly

49. The Exorcist

50. The Castle

51. Some Like it Hot

52. Rashomon

53. Assassination of Jesse James

54. In the Mood For Love

55. To Kill a Mockingbird

56. Long Good Friday

57. Kind Hearts and Coronets

58. Fargo

59. Battle of Algiers

60. Eternal Sunshine of the Spotless Mind

61. Casablanca

62. Lawrence of Arabia

63. A Bittersweet Life

64. Paths of Glory

65. Hoop Dreams

66. Lilya-4-Ever

67. 2001

68. Festen

69. Let the Right One In

70. Network

71. Rififi

72. Talk to Her

73. Bicycle Thieves

74. M

75. It’s a Wonderful Life

76. Memento

77. His Girl Friday

78. Memories of Murder

79. Hugo

80. Dead Man’s Shoes

81. Citizen Kane

82. Raiders of the Lost Ark

83. Sunset Boulevard

84. Annie Hall

85. Metropolis

86. Far From Heaven

87. Oldboy

88. Raising Arizona

89. Seventh Seal

90. Brazil

91. Schindler’s List

92. On the Waterfront

93. A Matter of Life and Death

94. Dr. Strangelove

95. Evil Dead 2

96. Hidden

97. Spirit of the Beehive

98. Crash (1996)

99. Shawshank Redemption

100. Lion King

101. Treasure of the Sierra Madre

102. Spartacus

103. If...

104. Chaser

105. Zodiac

106. Pulp Fiction

107. Throne of Blood

108. Heat

109. When Harry met Sally

110. Tree of Life

111. Social Network

112. Animal Crackers

113. Insider

114. Monsters Inc

115. No Country for Old Men

116. Distant Voices, Still Voices

117. La Haine

118. Black Swan

119. United 93

120. Boogie Nights

121. Chung King Express

122. Unforgiven

123. North by North West

124. Toy Story 3

125. The Host (2006)

126. Fight Club

127. Bad Education

128. Ghostbusters

129. Shadow of a Doubt

130. Reservoir Dogs

131. A Bout de Souffle

132. True Grit (2011)

133. Life and Death of Colonel Blimp

134. Stand by Me

135. Magnolia

136. American Werewolf in London

137. Before Sunset

138. Three Colours Blue

139. In the Loop

140. Diving Bell and the Butterfly

141. Control

142. Anchorman

143. Barton Fink

144. Streetcar Named Desire

145. The Raid

146. Topsy Turvy

147. Rope

148. Woodsman

149. Court Jester

150. McCabe and Mrs Miller

151. Solaris (1972)

152. Kiss Kiss Bang Bang

153. Vera Drake

154. One Flew Over the Cuckoo’s Nest

155. Fitzcarraldo

156. Das Experiment

157. O Brother Where Art Thou

158. City of God

159. Inland Empire

160. Infernal Affairs

161. Harvey

162. LA Confidential

163. Synecdoche New York

164. Caddyshack

165. Four Lions

166. Serenity

167. Get Carter

168. Wages of Fear

169. Fish Tank

170. Los Olvidados

171. King of Comedy

172. Clerks

173. Last of the Mohicans

174. American Psycho

175. Chasing Amy

176. Bridge Over the River Kwai

177. Tyrannosaur

178. Hurt Locker

179. Zulu

180. Incredibles

181. Brick

182. Winter’s Bone

183. Broadway Danny Rose

184. Yojimbo

185. This is England

186. Toy Story

187. The Guard

188. Waltz with Bashir

189. Zelig

190. Secret in their Eyes

191. Rosemary’s Baby

192. Heart of Darkness

193. Shaun of the Dead

194. Downfall

195. Batman Begins

196. A Tale of Two Sisters

197. Princess Mononoke

198. My Name is Joe

199. Horse Feathers

200. Aristocats

201. Leon

202. A Canterbury Tale

203. A Shot in the Dark

204. Great Escape

205. Where Eagles Dare

206. Wings of Desire

207. Lost Weekend

208. Night of the Hunter

209. The Prestige

210. Die Hard

211. Bourne Ultimatum

212. Love and Death

213. Badlands

214. Indiana Jones and the Last Crusade

215. Jules et Jim

216. Incendies

217. Truman Show

218. Dark Knight

219. Drive

220. Grosse Pointe Blank

221. Terminator

222. Wild Bunch

223. Johnny Mad Dog

224. WALL E

225. Skin I Live In

226. The Hustler

227. Requiem for a Dream

228. Man From Nowhere

229. Jurassic Park

230. High and Low

231. All About my Mother

232. The Thing

233. A Scanner Darkly

234. Magnificent Seven

235. Blue Velvet

236. 4 Months, 3 Weeks, 2 Days

237. Royal Tenenbaums

238. Bloody Sunday

239. Star Wars: Return of the Jedi

240. Young Frankenstein

241. Donnie Darko

242. Ladykillers (1955)

243. Monty Python: Life of Brian

244. In Bruges

245. Adventureland

246. King of Kong

247. Das Boot

248. Terminator 2: Judgement Day

249. Touch of Evil

250. Maltese Falcon

251. Mysterious Skin

252. Purple Rose of Cairo

253. Elite Squad

254. Mary and Max

255. Pan’s Labyrinth

256. Stalag 17

257. Texas Chainsaw Massacre (1974)

258. Kingdom of Heaven (Director’s Cut)

259. Star Wars: Empire Strikes Back

260. 400 Blows

261. A Dirty Carnival

262. Sword in the Stone

263. Adaptation

264. Before Sunrise

265. For a Few Dollars More

266. Up

267. Days of Heaven

268. Full Metal Jacket

269. Lady Vengeance

270. Atonement

271. Back to the Future

272. Trainspotting

273. The Long Goodbye

274. Sanjuro

275. Rushmore

276. Once Were Warriors

277. Sunshine

278. Porco Rosso

279. Hard Boiled

280. Toy Story 2

281. The Conversation

282. I Saw the Devil

283. Invisible Man

284. Hot Fuzz

285. A New World

286. Darling

287. Superbad

288. Day of the Dead

289. Submarine

290. Butch Cassidy and the Sundance Kid

291. Red Road

292. Illusionist (2010)

293. Up in the Air

294. Goldfinger

295. Face Off

296. Another Year

297. Delicatessen

298. Ed Wood

299. Bugsy Malone

300. Constant Gardener

301. The Good, the Bad, the Weird

302. Cinema Paradiso

303. Avengers

304. Dead Ringers

305. Lavender Hill Mob

306. Hero

307. A Day at the Races

308. Notorious (1946)

309. The Descent

310. Persepolis

311. The Motorcycle Diaries

312. Fantastic Mr Fox

313. Lock Stock and Two Smoking Barrels

314. Moon

315. Good Dick

316. Who Framed Roger Rabbit

317. Stalker (1979)

318. Tinker Tailor Soldier Spy (2011)

319. Crouching Tiger, Hidden Dragon

320. Rec.

321. Traffic

322. Belleville Rendezvous

323. The Orphanage

324. Hamlet (Royal Shakespeare Company)

325. Muppet’s Christmas Carol

326. Little Miss Sunshine

327. Whisky Galore

328. Fistful of Dollars

329. The Birds

330. Dogville

331. Finding Nemo

332. Kung Fu Hustle

333. Star Wars: A New Hope

334. Man on Wire

335. Chicken Run

336. Blazing Saddles

337. How to Train Your Dragon

338. Bourne Supremacy

339. Strangers on a Train (1951)

340. Radio Days

341. Sweet Sixteen

342. Henry 5^th(Branagh)

343. Into the Wild

344. The Conformist

345. Goodbye Lenin

346. Animal Kingdom

347. Monkey Business

348. The Killer

349. Casino Royale (2006)

350. Kick Ass

351. Blues Brothers

352. Proposition

353. All Quiet on the Western Front (1933)

354. 2 Days in Paris

355. Happy Go Lucky

356. Public Enemies

357. American History X

358. Gone Baby Gone

359. The Big Sleep

360. Confessions

361. Three Colours White

362. Volver

363. Hudsucker Proxy

364. Glengarry Glen Ross

365. Kill Bill (Parts 1 and 2)

366. Once

367. Moneyball

368. Collateral

369. Monty Python and The Holy Grail

370. Robocop

371. Batman (Burton)

372. Black Dynamite

373. Odd Man Out

374. Election (Hong Kong)

375. Starship Troopers

376. Dawn of the Dead (1978)

377. Last Samurai

378. Graduate

379. 39 Steps (1933)

380. Almost Famous

381. A Town Called Panic

382. Lethal Weapon

383. Zombieland

384. Manhunter

385. A Serious Man

386. Heathers

387. Kes

388. Sympathy for Mr Vengeance

389. Bad Lieutenant (2009)

390. Snatch

391. American Friend

392. Inglorious Bastards (2009)

393. The Fall

394. Elephant Man

395. Groundhog Day

396. A Knight’s Tale

397. Sunny

398. House of Flying Daggers

399. Dumbo

400. Mother (2009)

401. Magnificent Ambersons

402. History of Violence

403. Night of the Living Dead

404. Ratatouille

405. Crying Game

406. Lebanon

407. Cyrano de Bergerac

408. Dazed and Confused

409. Brotherhood

410. Looking for Eric

411. Meantime

412. A Room for Romeo Brass

413. Dog Soldiers

414. A Few Good Men

415. 24 Hour Party People

416. Cabin in the Woods

417. Outlaw Josey Wales

418. Crimes and Misdemeanours

419. Elf

420. Speed

421. Ivan’s Childhood

422. Pirates

423. Away we Go

424. Carrie

425. Spiderman 2

426. Office Space

427. Road to Perdition

428. Army of Darkness

429. Spider

430. Killing Fields

431. Where the Wild Things Are

432. L’Aventurra

433. Girl With Dragon Tattoo

434. Never Let me Go

435. Scream

436. Closely Observed Trains

437. Insomnia

438. High Heels

439. Elite Squad: Enemy Within

440. Somewhere

441. Master and Commander

442. You Only Live Twice

443. Scott Pilgrim

444. Rio Bravo

445. Kagemusha

446. Lars and the Real Girl

447. Munich

448. Shutter Island

449. Planes, Trains and Automobiles

450. Wrestler

451. Beauty and the Beast

452. 500 Days of Summer

453. Believer

454. Series of Unfortunate Events

455. Three Colours Red

456. Sicko

457. Layer Cake

458. The Rock

459. Hunger

460. Ocean’s Eleven

461. Breakfast Club

462. Batman Returns

463. Naked Gun

464. Life is Sweet

465. Frankenstein

466. A Prophet

467. Amadeus

468. Sexy Beast

469. Easy A

470. Intolerable Cruelty

471. Thirst

472. Finding Neverland

473. Coraline

474. Chopper

475. School of Rock

476. Exiled

477. Midnight Run

478. Tangled

479. Ghost World

480. Wonder Boys

481. Swingers

482. In the Heat of the Night

483. Exit Through the Gift Shop

484. Spiderman

485. Slither

486. Changeling

487. Man Who Knew Too Much (1956)

488. Bullitt

489. Ringu

490. Con Air

491. Duel

492. Together

493. A Bande Apart

494. Half Nelson

495. Belle de Jour

496. Predator

497. Napoleon Dynamite

498. High Fidelity

499. My Cousin Vinny

500. Poltergeist

Saturday, 8 June 2013

I don’t think there’s a greater discrepancy than between Will Wiesenfeld’s personality on Twitter and his character as Baths. As the former he comes across as an overtly excited, sheltered Anime fanboy, his vocabulary consisting of ‘OOOOO’s, ‘AARRRGGGHHHHH’s and ‘OMFG!’s; as the latter he is a deeply expressive, divinely talented and wholly conflicting poet, capable of crafting the most stunningly beautiful discourse as well as the most horrifically vivid introspections on morbid paranoia and carnal obsession. Even within his work Wiesenfeld exhibits a stark contrast in his disposition, the transcendent, romanticist aesthete, ‘I still smell you, distance aside’ / ‘in Victorian doorways, in tempestuous foreplay,’ plunges into uninhibitedly sexual, brutalised rhetoric, ‘nurse this erection back to full health’/ ‘this isn’t a matter of “if you mean it”, it’s only a matter of “come and fuck me”’. A dissociative personality disorder within a dissociative personality disorder if you will; Ian Cohen acutely describes Obsidian as Cerulean’s (Wiesenfeld’s debut) ‘evil twin.’

Obsidian’s Baths understandably represents Wiesenfeld’s Mr Hyde given the context of what happened to him last year, when he suffered E. coli. That first brush with his mortality provides him with a sensitive cognizance of omnipresent decay; he sees death lurking in the quaintest of objects and delights in exposing man’s deluded fallacies, faith and hope, ‘where is God now that you hate him the most?’ Wiesenfeld is a satyriasis-suffering, nihilistic misanthrope, unable and unwilling to readjust to the banal structure of his life prior to his disease. Obsidian is a forlornly bleak window into the tormented soul of a man stuck in a form of eternal purgatory; an indefatigable, unrelenting apathy.

Lyrically, he’s magnificent. His ferocious, obscure, at times impenetrable, notes on the fragility of human nature is reminiscent of Thom Yorke, his satirical analyses of the absurd rigidity of contemporary social protocols, James Murphy, his elegiac, subtle observations of emotional behaviour, Mike Hadreas or Joanna Newsom. He is concurrently a sociopathically malicious messianic saviour of mankind, unravelling the reality of our moral debauchery for our own good, and also a bitterly self-conscious philosopher, utterly horrified with the role entrusted to him. In ‘Worsening’ he delivers one of my all-time favourite couplets; ‘when the mouths in the earth come to bite at my robes/at the cold, the lifeless, the worsening souls.’ He comments that ‘I was never poetic.’ You lie, Will. You are poetic, and your poetry is perversely gorgeous.

Interestingly, Wiesenfeld’s vocals haven’t changed in the slightest since Cerulean, but they’re utilised astonishingly effectively given the disparities in subject matter. His voice’s trembling, crackling instability perfectly accentuates his self-portrait of perpetual inner turmoil. The ‘OOOOO’s and ‘AARRRGGGHHHHH’s translate from his Twitter persona, but they’re terrifying, haunting, eroding, broken.

Musically, Obsidian is a warped collaboration between Burial, Zomby, Grimes and Hot Chip; tap-tap, minimalist pop with heavy dubstep influences. It’s intensely atmospheric, soothing violins playing over samples of what sounds like snapping fireplaces. ‘Ossuary’ is probably the most mainstream track, constructed with synths and a more traditional song structure, while ‘Earth Death’ is bombastically house, the exhaustively loud percussion almost, but not quite, drowning out Wiesenfeld’s furious rantings.

Having listened to Obsidian at least ten times now, I’ve concluded that it’s probably my all-time favourite album lyrically. Its poetry is simultaneously soul-enrichingly beautiful, opulent with heavenly imagery, and candidly, unreservedly malevolent. Obsidian is really the long-lost love child of Emily Dickinson and Sylvia Plath, a delectably enticing prospect for myself, if no one else.

It’s my favourite album of the year so far; an unmitigated, headfucking, dazzling masterpiece. Embrace it.

Wednesday, 29 May 2013

Best Albums/Songs of 2013 So Far

Top 20 Albums of the Year (so far)

20. The 20/20 Experience – Justin Timberlake

19. FIDLAR – FIDLAR

18. Amok – Atoms for Peace

17. Silence Yourself – Savages

16. The Man Who Died in his Boat – Grouper

15. True Romance – Charli XCX

14. Pedestrian Verse – Frightened Rabbit

13. MCII – Mikal Cronin

12. Muchacho – Phosphorescent

11. Wolf – Tyler, the Creator

10. MBV – My Bloody Valentine

While the debate behind whether My Bloody Valentine’s second studio album was worth the twenty two year wait continues to drag inanely on, reasonable people are too busy celebrating its existence to trivialise its excellence. While it isn’t as immediately mind blowing, ear-shattering or heart melting as Loveless, it’s arguably just as accomplished. It’s MBV’s distinctive sound, the inexplicable utilisation of distorted white noise to create something profoundly beautiful, but refined, polished, yet still majestically raw and explosive. ‘Only Tomorrow’ and ‘In Another Way’ are welcomed by ‘Only Shallow’, ‘When You Sleep’ and ‘Soon’ into their best-of echelons.

9. Wakin on a Pretty Daze – Kurt Vile

Adored by the likes of Kim Gordon and Matt Berninger, Kurt Vile has become the revered face of underground folk. Vile evokes Pavement’s despairing, helpless lethargy and Neil Young’s love of complex conceits in his latest, and best, album. Wakin on a Pretty Daze opens with the ten minute, lo-fi folk-rock masterpiece title track. Although it never matches this astonishing opening, the LP is remarkably consistent. It’s lyrically minimalist, rarely articulating itself further than in fleeting images and metaphors, preferring to rely on the dreamy, psychedelic chords of Vile’s guitar to instigate the listener to open the doors to Vile’s contented state, and to accept his tranquil philosophy.

8. We are the 21^st Century Ambassadors of Peace and Magic – Foxygen

An audacious, bizarre album title from an equally audacious and bizarre band. A wonderfully, nostalgically trippy tribute to the Rolling Stones, Lou Reed, the Beach Boys… the list is interminable; it’s simultaneously the most innocently fun and audibly pleasant album of the year. It’s much more than just a homage. ‘No Destruction’ is a relaxed, Dylan-esque introspective grumbling, while ‘On Blue Mountain’ represents arguably the record’s ‘rockiest’ track, with bombastic percussion, clinkety piano and the enthusiastic intrusion of female backing vocals. ‘San Francisco’, a gloriously fun, pretty love song, is the highlight of the album, with its gorgeous chorus.

7. You’re Nothing – Iceage

You’re Nothing doesn’t so much explode as implode, in the same way that it isn’t so much anti-establishment punk, as anti-societal. It doesn’t attack political or economic systems, but rather us, themselves. As the title implies, these Danish teenagers condescend and vilify the concept of distinct importance, the individual’s perception of significance bolstered by ego-stroking consumerist advertising and a materialist societal structure. They scream of ‘pressure’ in one song, ‘excess’ in the next, before bitterly questioning ‘where’s your morals?’ An obviously self-aware sentiment, directed just as much at themselves as to their listeners. Quite possibly the best post-punk album since McLusky Do Dallas.

6. Acid Rap – Chance the Rapper

The best hip-hop mixtape of the year, Acid Rap highlights the genius of Chance’s flow. His rhyming is nonchalant, appearing improvised in its weary irreverence. He laughs, moans, spits and questions without apparent transition, his voice always perfectly in sync with his excellent production; a relaxed drum machine underscores an orchestra of synths and traditional hip-hop samples; (Chance’s love of rap music seeps through the tape’s cracks, corroborated by his endless referencing and namedropping) it’s minimalist, but tremendously effective. Thematically it’s identical to most major label hip-hop debuts: the explicit joys and implicit stresses of fame and fortune, but it’s too lyrically overwhelming (in a good way) to be considered anything anywhere near banal or unoriginal.

5. Random Access Memories – Daft Punk

Yes, it’s overproduced, and yes, it’s not Daft Punk’s most consistent LP, but there are a plethora of individual songs destined to be considered some of the French duo’s finest; the docu-epic ‘Giorgio by Moroder’, the space-age ‘Touch,’ the instant classic ‘Get Lucky,’ and the indefatigably cool ‘Lose Yourself to Dance’. Standing above them all is DP’s flawless mission statement, ‘Doin it Right.’ In RAM Daft Punk have seamlessly integrated the old and new, their universally adored dance anthems are complemented by bold meditations on the history of dance music, and on its future. Indeed, ‘Touch’ can be viewed as ‘Giorgio by Moroder’s’ polar opposite, the latter explaining the positive influence of electronics in music, the former begging for the application of human touch in creating something musically personal.

4. Impersonator – Majical Cloudz

Majical Cloudz are perhaps best summed up as ‘Leonard Cohen behind a computer.’ Like Cohen, their music is just a harmonising backdrop to their deeply intimate and bluntly expressive lyrics. They employ white noise, peaceful synths and distant thuds to accentuate their imagery in the same way that sound effects are used to improve immersion, the proposition of fantasy becoming reality, in children’s audio-books. Impersonator is a hugely immersive experience, a collection of short stories. Devon Welsh’s expansive narratives cover family, death, desire, disillusionment and lost love, fluttering transcendentally from one theme to another painlessly. It’s a soothing record, but also intensely powerful, Walsh’s gripping vocals pointing out the strength required to actively live, including all the connotations such a statement suggests, but not necessarily claiming that he possesses such a strength.

3. Anxiety – Autre ne Veut

Autre ne Veut’s incredible second LP is powered by discord, the barrage of conflicting, often out-of-tune instruments (the saxophone blasts on ‘Counting’ being the most obvious, the percussion in ‘Promises’ being another) and disharmonious pitch changes shouldn’t work, but it really does. Each song has a personal, innate melody. They’re refreshingly inventive, but still retain the fundamental catchiness inherent, and necessary, in R&B melodies. It’s a masterpiece of songwriting structure and production. Where Anxiety really shines is in its ballads, ‘A Lie’ and ‘Gonna Die’; when Arthur Ashin’s cries of dissatisfaction can’t quite reach the notes he desperately aspires to reach, it’s more touching, more affecting. Anxiety is this year’s Channel Orange; a progressive, moving R&B record that both challenges the boundaries of the genre while exemplifying why the fusion of Blues with a stable, Pop rhythm makes so fascinating a sound.

2. Trouble Will Find Me – The National

The National are my fourth favourite band, behind Radiohead, Sonic Youth and Joy Division. Their heartfelt, melancholic depictions of middle class disillusionment, brutal romantic regret and chilling existential alienation (they capture the ephemeral quality of human actuality better than any other band) are hypnotically endearing. I’d go as far as saying that, across their six LPs and numerous EPs, they are the most consistently excellent Alternative band, probably, of all-time. Trouble Will Find Me is their best album yet. Matt Berninger’s baritone previously had the capacity to excite even the most heterosexual male, like that of an alcoholic angel, but he’s bettered himself here, exploiting a higher register than heard before. Like many of The National’s best songs, most tracks are quietly, subtly anthemic; ‘Fireproof,’ ‘Graceless,’ ‘Don’t Swallow the Cap.’ ‘Sea of Love’ is welcomingly ‘rocky’, while ‘Heavenfaced’ will probably be the most beautiful and heartbreaking love song you’ll hear this year. A consistently brilliant band becoming consistently better.

1. Modern Vampires of the City – Vampire Weekend

While numbers two and three would easily have fought out over the number one spot in any other year, they’re just not as utterly ingenius, as blisteringly magnificent, as iconically huge as Modern Vampires of the City; the best Indie album since Funeral. It’s, yes, about existence, but also faith, love, embracing life to the fullest. It’s just as fun and cheery as it is broodingly, philosophically questioning. ‘Diane Young’ and ‘Hudson’ should contradict one another, but they substantiate the other’s importance, Koenig identifying that happiness and sorrow are inextricably linked. Koenig’s trademark lyrical genius and wit is no longer raw and unmediated, it’s matured to Thom-Yorke-but-amusing levels. If you hear a cleverer chorus than ‘Step’s’, your ears are deceiving you: ‘the gloves are off/the wisdom teeth are out,’ referring to his own musical pretentiousness. Vampire Weekend cover an assembly of varying themes and sounds intelligently and passionately, their unfaltering love of music and its artistic potential prevalent throughout. Let there be no mistake, this is a work of unmitigated brilliance. That Ezra Koenig studied English Literature remains justification for my degree.

Top 40 Songs of the Year (so far)

40. Suit and Tie – Justin Timberlake

39. She Will – Savages

38. Worship You – Vampire Weekend

37. The Seer – Jenny Hval

36. Smoke Again – Chance the Rapper

35. In Another Way – My Bloody Valentine

34. Demon to Lean on – Wavves

33. Retrograde – James Blake

32. Get it – Run the Jewels

31. Mirrors – Justin Timberlake

30. Dropla – Youth Lagoon